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Happy Jackie Robinson Day!

April 15th is recognized as a special day in Major League Baseball and American history. On this day in 1947, Jackie Robinson crossed Baseball’s color barrier by becoming the first African-American to join a major league baseball team, the (then) Brooklyn Dodgers. Today, the industry celebrates Robinson on his debut day by hosting commemorative games across the nation known as Civil Rights Games and resurrecting his retired 42 jersey (only during Civil Rights Games are professional athletes allowed to wear his number).

Beyond Home Plate Jackie Robinson on Life after BaseballAlso in remembrance of this hero, activist, and great talent to baseball, we at SU Press take this day to share our titles that revere all of Robinson’s accomplishments. Among them is Beyond Home Plate: Jackie Robinson on Life after Baseball edited by Michael J. Long. This documentary is an eye-opening read that explores aspects of Robinson’s pre and post career that leave reviewers proclaiming what they “thought was impossible”: “a new way to think about Jackie Robinson” (Los Angeles Times). On April 15th especially, Beyond Home Plate holds an even more meaningful place in our hearts; for we can see the depths of Robinson’s contribution to racial equality on and off the field.

Similar books from us include Black Baseball Entrepreneurs: The Negro National and Eastern Colored Leagues and Black Baseball Entrepreneurs, 1890-1901: Operating by Any Means Necessary, both by Michael E. Lomax.

We encourage everyone to get to know one of our nation’s most influential athletes and activists not only on this day, but throughout the year. These books are a great way to start!

Enjoy and happy (belated) Jackie Robinson Day!
-SU Press

National Poetry Month is Here

April is an exciting time in the literary world. In these 30 days, poetry is given center stage in the hearts and minds of poets and readers across the globe. We, at SU Press also bring poetry to the forefront by featuring inspirational selections from our favorite collections. In 2015, we celebrate National Poetry Month by highlighting the work of 2011 Nobel Prize winner Tomas Tranströmer. His Inspired Notes captures facets of life that are mysterious yet familiar, possessing the same timelessness that has allowed his work to be nominated for this prestigious award for 18 consecutive years. Tranströmer , in his subtle intensity, transforms the common meanderings of life into complex experiences that beg our attention and awareness.Inspired Notes

A Woman’s Portrait, 19th Century

The voice is smothered in her clothing. Her eyes

Follow the gladiator. Then she herself

Stands on the arena. Is she free? A gilt frame

Constricts the picture.

Medieval Motif

Beneath our enchanting play of features waits

Always and ever the skull, the pokerface.

While the sun rolls slowly on across the sky.

The chess game proceeds.

A hairdresser’s clippers sound from the thicket.

And slowly the sun rolls on across the sky.

The game of chess comes to a halt, it’s drawn. In

The rainbow’s silence.

Collected PoemsDuring this month, we would also like to acknowledge the work of early 20th century, Irish poet Francis Harvey. Collected Poems is a beautifully written anthology, showcasing the best of the poet’s scenic lyricism. Much like the work of Tranströmer, we gain new insights of the simplicities of life, seeing within and outside Harvey’s personal and environmental experiences. Needless to say, the read is worthwhile.

Consider

Consider the unblinking perfection

Of this utterly pitiless eye.

An eye being an eye to the heart of stone.

Consider an eye that has never shed a tear

For being what it is and for what others are.

Consider a piece of matter ground out of a glacier.Consider the eye of this falcon and the world as it is

And the eye of God flinching at the peephole of a star.

Enjoy, Happy Poetry Month!

Author Spotlight: J. Richard Stevens

Book: Captain America, Masculinity, and Violence: The Evolution of a National IconJ. Richard Stevens

J. Richard Stevens is assistant professor in media studies at the University of Colorado Boulder. Stevens’ interests and research encompass the various relationships between culture formation and media through the technology infrastructures that influence and construct our digital and cultural worlds. Captain America, Masculinity, and Violence: The Evolution of a National Icon is his first book.

Please tell us briefly about your forthcoming title. What are you most excited about for your readers?

This book was a special project for me, representing about a decade of work. Marvel Comics are at an interesting crossroads in our culture. For decades, they represented a special place in media subculture, a space not overwhelmingly popular with the public at large. But with the purchase of Marvel by Disney and the continued success of the Marvel Studios films, the location and importance of those narratives and characters in our culture is quickly expanding. That expansion necessitates change in both the way stories are told and the ways readers and fans interact with them.

Captain America, Masculinity, and Violence This book uses textual analysis, cultural analysis, fan studies, and an engagement of industry history to delve into how the Captain America text was produced, why it resonated in different ways at different times and how readers and fans used the text at various points in the character’s history. I was really trying to show how the media formats framed the conventions of the character, and how the audience frequently battled the writers and editors over the portrayals. Because Captain America embodies patriotism (and there are probably as many ideas and opinions about American patriotism as there are Americans), Captain America frequently becomes the focal point for battles over cultural meaning. And yet, one cannot ignore the pressures of commercialism, the constraints of the medium, the politics from the culture at large … there were just so many things to consider, and I tried to bring as many of them to bear as I felt I could in a responsible manner. Readers of this book will find content from comic books, fan letters, press releases, public interviews, media studies literature and a host of other materials.

Are Captain America’s values distinctly different from the values we see most superheroes embodying?

One of the interesting things about Captain America’s values are that they shift from era to era. Because he embodies the nation for so many people, how he should be portrayed is a moving target, both because the national moods shifts from era to era and because the audience changes.

For example, Captain America began his career as part of a mission to encourage Americans to support entering World War II (and a full year before the Japanese bombing of Pearl Harbor). But when that character returned in the 1960s and one of his original creators (Jack Kirby) began to produce portrayals consistent with his World War II adventures, the readers rebelled and Marvel eventually replaced Kirby with a more progressive creative team, and Captain America became a progressive hero in the spirit of the New Left movement. Later in the 1980s, fans objected to how extremely against violence the character had become. And, of course, the 2002 series that positioned Captain America as a criticizer of the military-industrial complex at a time when most of our popular culture refused to discuss such matters was a key moment in comics history, as was his participation in Marvel Comics’ Civil War event, in which the heroes debated the role of privacy in the post-9/11 national security state.

No matter what is going on in American politics, it seems Captain America becomes a magnet for political controversy and cultural criticism. So you might say he’s become the ever-evolving embodiment of the paradox of what it means to be American. And I tried to show some of the many dimensions of that in the book.

Do you feel a personal connectedness to Captain America or any of the phases he has gone through?

Well, as I explain in the introduction, I did read some Captain America comics in the 1980s, and struggled mightily to reconcile that character with the one I found in earlier issues of his title (particularly the issues of racial relations from the 1970s books). That struggle would later become important to this book’s premise, and I will probably always feel an affinity for that era of the Captain America comic book because it provided a space for people to consider social justice in a time when those topics were difficult to talk about in public.

Captain America seems most compelling when he criticizes the status quo and takes on the cultural authority. That form of discourse is not always present in some other kinds of stories, so I suppose it’s fair to say I identify with that struggle and appreciate the character for facilitating space for unpopular discussions.

Based on Captain America’s history of evolution, what do you see in the hero’s future?

Constant change. Particularly now that Disney owns Marvel and is reformulating all of the Marvel characters and stories, I think Captain America’s evolution will continue and continue to do so across many different media narratives. Of course, Disney/Marvel is now a multi-media empire, and Captain America is one of the commodities needed to sell movie tickets, merchandise, entertainment events and all the activities Disney sells to consumers. The comic books, movies, cartoons, collectibles … those items are not inherently part of that system, and so it will be interesting to see how this character evolves in that environment. I suspect parts of Captain America will always remain familiar, but I suspect he will also evolve to meet the needs of the commercial and narrative mission.

Do you think the comic genre is better able to communicate certain aspects of culture than other literary forms?

In the past, it certainly was. Because the audience was smaller and more tightly concentrated than other mass media, a lot of experimentation and criticism could appear in that space that would have been far riskier in television programming or other forms of public media.

Which books are you currently reading? Are any of them comics?

I read a lot of journals and texts for work (popular culture theory, technology culture, public policy, etc), and find myself lagging behind in my personal reading. I do read some comics, though more for work than pleasure (which I know might sound strange to some). I do keep up with a few titles like Image Comics’ The Walking Dead and Marvel’s Ms. Marvel as well as various Captain America and Avengers-related topics, but even those blend together my personal interest with my research interests. I also have a 5-year-old son, and keeping up with his media influences me somewhat in what I read about and study.

It is said that this title is the most “thorough treatment of Captain America” we have yet to see, what challenges (if any) did you face in your research?

The sheer magnitude of the reading was a challenge. Comic books stories can be short in length, but a deep reading of each one takes time, and getting through a few thousand issues took years. Acquiring some of the texts and keeping up with contemporary stories was also challenging. Some of the stories were rare and hard to come by, and I probably spent as much time in the search/acquisition process as I did reading.

Keeping my notes organized was also a challenge. In the end, I ended up creating a searchable database with coding tags so that I could search through my notes about particular comic issues quickly. Before that, I found myself getting easily confused about where particular scenes, statements or fan letters appeared. Again, dealing with so many texts at once brings so many challenges to the table.

Personally, what is special about the comic genre to you?

Comic books are one of the few truly distinct American cultural art forms. I think it’s fascinating to think about how the limitations of a cheaply produced medium created so many lasting conventions of storytelling (costumes, missions of vigilante justice, etc.) and to consider how those conventions influenced American mythology and the social identities of the citizenry to such a tremendous degree.

Comic books were once a medium that was largely ignored in media studies. But as the stories from that medium have been transferred into other mass media, the power and reach of those stories have been magnified. The process by which cultural messages are created, disseminated and what happens on the reception end when fans take control of the objects of their passion is incredibly interesting and important for understanding how Americans relate to their media culture.

Which section of this book did you enjoy working on most?

To be perfectly honest, I think the section I was dreading the most was the section I wound up enjoying the most: the 1990s narratives. I hadn’t read those, and my knee-jerk presumptions about what I would probably find there led me to believe that experience would be excruciating. But I found a lot of interesting material I hadn’t expected, and that process served to remind me that texts are often more interesting and complex upon closer inspection than we might initially think when considering them more superficially.

But I did find enjoyment in each chapter, though no two are alike, given the changes in the comic book industry, changing views in American politics, and just the changing of the guard in terms of who produced comics in different eras.

For more information or to purchase a copy of Captain America, Masculinity, and Violence: The Evolution of a National Icon, please visit the Syracuse University Press website.

What the New Year Brings

A new lineup of SU Press titles ranging from poetry, women’s studies, and sports, to pop culture, geography, biographies, and more. Our Spring 2015 catalog is filled with dozens of good reads to match your interests.

Captain America, Masculinity, and Violence: The Evolution of a National IconCaptain America, Masculinity, and Violence
J. Richard Stevens

Through Stevens’ provocative analysis of one of America’s most iconic superheroes, we begin to ponder the various political and cultural relationships between Captain America and his environment.This in depth exploration of Captain America’s narrative will fascinate both casual fans and scholars alike, as Stevens maps the terrain of American identity and this comic hero’s unyielding role in influencing it.

Land of Enchantment9780815610465
Liza Wieland

In Liza Wieland’s deeply moving novel, three interwoven stories show how art reveals the depth and complexity of human love, in all its betrayals and losses, beauty, and redemption. Colum McCann, author of the National Book Award-winning Let the Great World Spin, believes “Wieland is a vital voice in contemporary American fiction” and Charles Frazier, author of Cold Mountain, declared Land of Enchantment “a beautifully written, dizzyingly knowledgeable examination of the intersection between art and life. It is the best novel I’ve read in the past year.”

Helene Schweitzer: A Life of Her OwnHelene Schweitzer
Patti M. Marxsen
Marxsen explores the life and legacy of Helen Schweitzer in a way that places her at the center of the narrative, spotlighting her independent spirit and wide range of talents.Helene Schweitzer’s dramatic life reveals deeper questions of how memory is influenced by gender assumptions and how biography is shaped by place and history.

Click here to view full Spring 2015 catalog.

Author Spotlight: Sam Hazo

​This week, we spoke with poet Sam Hazo on his inspirations behind his new book And the Time Is

HazoBMiniHow did you come up with the concept for this book?

The concept of the book was chronological….i.e., choosing what I considered the poems I wished to be judged by written between 1958 and 2013.

The book is essentially a testimony to your poetic endeavors and your growth as a writer – how have these identities evolved over the years for you?

I often keep returning to the same themes, but my perspective has changed my attitudes toward them over the years.

Is there a poem that you’re especially proud of? If yes, do you mind sharing the story behind it?

I favor one poem called “And the Time Is,” which is also the title of the book.  In the poem the time is always the present. The rhythm of the poem and the barely discernible rhymes hold the poem together.  I’ve never been able to do that since in a poem.

Are there any poets that you continually go back to for inspirations?

There are poets I do go back to, not so much for inspiration as for the pleasure of reading their words, i.e., Richard Wilbur, Linda Pastan, Robert Frost, Randall Jarrell and a number of foreign poets.

and-the-timeWhat helps you thrive as a poet?

Focusing on something that takes my full attention is what I (or any poet) thrive on.

Where do you usually write and what conditions help you with your writing process? 

I write whenever, wherever.

What are you working on right now?

I’ve just finished a book called THE FEAST OF ICARUS, Lyrical Reflections on a Myth.

Poetry picks!

It is often said that poems are simply words dipped in feelings. From soul-soothing proses to translated gems of history, we’ve decided to hand-pick three of our favorite poetry books for your pleasure this month!

And the Time Is

and-the-timeWith works that have appeared in the Hudson Review, Prairie Schooner, and the New York Times, this collection of poetry follows Samuel Hazo through his adventures in love, family, and life. What we love about Hazo is that he’s honest, raw, and nothing but human. Charmingly eloquent and painfully relatable, his poems speak of wisdom and maturity – cumulated from his persistent endeavors in living and writing.

Poets Translate Poets

poetsPoets Translate Poets originates from the perception that translators are among the most distinguished American and British poets. The collection features seventy-seven poets in twenty-five languages, representing the best of more than five hundred translated works originally published in the Hudson Review. However, the book is more than just a collection of world poetry – it offers readers an exploration into the art of poetry translation.

Chronicles of Majnun Layla & Selected Poems

chronicles-majnum-laylaWinner of the King Fahd Center for Middle East and Islamic Studies Translation of Arabic Literature Award 2013

The collection of texts brings together Qassim Haddad’s seminal work and a selection of his best poems. Reflective of Haddad’s rich Arab poetic heritage, the translation in this book introduces readers to a cultural mosaic that is profoundly and gracefully crafted through the lenses of literature.

Meet the Intern – Mavis

MavisTell us about yourself – hometown, major(s), nick name(s), fun fact(s), or anything you’d like to share!

Hello world, my name is Mavis. I grew up in Hong Kong, attended boarding school in Boston, and am now a junior at SU. I like words, so I’m currently double majoring in English and Textual Studies and Writing and Rhetoric. Something “fun” about me: I had six front teeth as a kid – my parents thought I was an alien.

Why did you apply for an internship with the Syracuse University Press?

I applied for the internship because real-life experiences in the publishing field have always meant a lot to me. Also, shadowing a marketing manager this past summer made me realize how multidimensional the field of marketing and “branding” is. So when an internship position like this opened up, I didn’t even hesitate to apply.

What do you do at work? Tell us about your weekly tasks or some of your ongoing projects.

Most of the time, I go to work not knowing what I’ll be having on my plate that day. There are days when I’m responsible for a book’s background research, so I dig up information about the author and everything that’s relevant to the book’s genre. There are also days when I’m responsible for updating the blog, so I contact specific authors for possible interviews and craft a variety of blog posts.

What have you learned so far that you honestly didn’t expect to?

Sending professional emails can be surprisingly nerve wracking at times. Since one of my tasks involves contacting different authors on behalf of the Press, I’m becoming increasingly aware of the importance of writing succinct and lean emails.

What’s your favorite part about the internship?

I think it’s really important to feel a little challenged in work environments in general, because it pushes you to build your confidence. That’s why I really like how I’m not treated as the “baby intern” here at the Press. I’m given tasks that involve thinking and flexibility but the office atmosphere also makes it easy for me to reach out for help.

How does this internship compare with/to your other internship(s) or work experience(s)?

I’ve had previous internship experiences with magazine and newspaper publications, so I’m not entirely new to the publishing field. But I would say this internship has taught me what marketing research truly entails – how and what it takes to gather enough information about a book, its author(s), and the genre it falls under. In some ways, it’s a lot of “behind the scenes” work.

What advice or insights do you have for prospective interns?

A marketing internship with the SU Press means you’ll get communicate with a diverse range of editors, authors and book publishers. You basically dive head first into the publishing field so there’s no time to be shy! If you’re willing to take up this challenge (and be humbled by it), then you’re suited for this job.

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