We know that you’re surprised, what kind of chilling tales has SUP been hiding? If you dare, pick up one of our suggestions of the strange and paranormal. Here are a few books to get you in the spirit of Halloween, show your friends that you know the meaning of spooky!
You know the story of Dracula, but what about the vampire who inspired that blood-sucking fiend? Do you dare take on Carmila on All Hallows Eve? This classic gothic tale will have your spine tingling, and maybe even sporting a fashionable, yet protective scarf come the 31st.
Not interested in vampires? What about witches? Delve into the tales of witchcraft and sorcery in Renaissance Italy. Let the magic of Under the Devil’s Spell take over your mind!
Does Halloween fall on a full moon this year? The Literary Werewolf provides a little truth to the tale, these 22 stories ranging from Stephen King to Brian Stableford, will have you questioning what you know!
Vampires, wolves, and witches aren’t your thing? How about ghosts? Dive into the classic, Anna in the Afterlife, and find more than a tale of things that go bump in the night. Take a journey with Anna as she watches loved ones move on after her death, and looks back on her life with a refreshing new view.
As someone who will hopefully be employed as a professor in the not-too-distant future, I have a vested interest in the publishing of academic research. Interning at Syracuse University Press has helped me see the workings of a very important part of academic research that I had not previously understood, the actual work of making someone else’s work available to a wide audience. I have been fortunate to work in both Acquisitions and in Marketing, and doing so has given me a nice perspective on the publishing process, from manuscript to sold book. Seeing the practical outcomes of other authors’ choices of organization, topic, style, and audience, reminds me of the importance of these factors for making one’s work accessible and appealing to others. This is especially helpful when I am lost in my own, sometimes abstract, thoughts about my research. Though I don’t think scholarship should be guided by marketability, the ease of writing a catalog description or of drafting a publication proposal for editorial review is often a sign of the work’s clarity and attention to perspective audience. Working at the Press has provided me with clear examples of the way that academic work does not exist in a vacuum, and it makes me think (concretely, not just based on abstract advice from others) of how best to attend to concerns such as audience and style from the very first draft.
Initially, my attraction to SU Press was its size. Hidden from the iconic image of “The Hill,” this Press is kept tucked away; but it still manages to have over a thousand titles under its belt. I knew that this internship would aid me in my education of publishing, but I wanted to know about the community of a press as well.
The community of SU Press is a big part of its success in the category of University Press’s. I believe a University Press should have variety, which SU Press certainly does; it should also aid to the reputation of the University outside of its normal boundaries. SU Press’s variety of subjects and studies that it publishes each season supports the profile of the University where it may not normally be noticed.
In the Marketing department, I’ve gained more than experience for my resume. The projects and tasks I’ve been assigned have given me a new outlook on all of the work that is put in by just one team in a Press. My contact with authors, drafting blurbs, and research have instilled not only a new set of skills, but a confidence to be more independent with future projects I get to be a part of.
Stop into the SU Bookstore to view the special SU Press book display in honor of University Press Week, last week (November 11 – November 17). The display will remain up for the entire year.